visual and sonic symbolics
"codespace" integrates realtime drawing and motion-images
with electronic sounds that evoke an abstract place where organical
and crystalline shapes pulsate and flow. generative (rule-based) processes
or algorithms and realtime action by the artist are applied to basic
shapes which in conjuction with finely graded colours comprise a rich
palette of textures and shapes.
Empty dark space is inhabited by fast moving abstract shapes, structures
with an architectural quality develop over extended periods of time.
the piece evolves from dark and minimalist atmospheres to abstract densities,
like a digital painting performed before the the viewer's eyes.
memory of the images accumulates, obtaining qualities like a painting
or etching. reduction and concentration of elements helps to maintain
the crucial focus, build the tension and give insights into the enigmatic
and invisible world built of code. the lines of flight lead to explorations
on shape and colour, choreographic movements and subaquatic flows, plays
of lights and surfaces.
Coming from a background of improvised music and composed contemporary
soundscapes, jasch applies processes to images in much the same way
as he does with music. texturing and layering, temporal evolving structures
and brief flashes of light play an important role in this abstract visual
flow which oscillates and vibrates with a certain musical quality. the
interplay between autonomous processes, algorithms and real-time gestural
interaction through physical interfaces affects the composition of the
pieces deeply. no element is completely prepared or preproduced. the
resulting images are surprising, sensuous, sometimes erratic, always
with an edge to them.
voices
"stunningly beautiful"
gideon kiers – media artist – curator sonicactsfestival,
amsterdam
"jasch's
forbidden planet"
chris musgrave – media artist – curator recombinant
media labs, san francisco
"Codespace (aka Jasch) has without a doubt been
one of the big surprises of the festival. The swiss musician with a
background in contemporary music has integrated real-time graphics
with moving images creating a three-dimensional geometric-sonic space
of great sensiblity."
marco altavilla - decibel -
sound art e musica elettronica